翻訳と辞書
Words near each other
・ Musica Antiqua Köln
・ Musica Baltica
・ Musica Britannica
・ Musica e dischi
・ Musica Elettronica Viva
・ Musica enchiriadis
・ Musica Fiata
・ Musica ficta
・ Musica Ficta (Danish ensemble)
・ Musica Ficta (disambiguation)
・ Musica Ficta (Italian ensemble)
・ Musica Ficta (Spanish ensemble)
・ Musica Florea
・ Musica Humana Research
・ Musica in piazza
Musica notturna delle strade di Madrid
・ Musica Nova
・ Musica Nova (French ensemble)
・ Musica Nova (Israeli ensemble)
・ Musica Nova Festival, Glasgow
・ Musica Nova Prize
・ Musica Omnia
・ Musica Orbis
・ Musica Piccolyno
・ Musica poetica
・ Musica poetica (disambiguation)
・ Musica Records
・ Musica reservata
・ Musica ricercata
・ Musica Sacra


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Musica notturna delle strade di Madrid : ウィキペディア英語版
Musica notturna delle strade di Madrid

Musica notturna delle strade di Madrid (''Night Music of the Streets of Madrid''), Opus 30 No. 6 (G. 324), is a ''quintettino'' (quintet) for stringed instruments (ca. 1780), by Luigi Boccherini, the Italian composer in service to the Spanish Court from 1761 to 1805.
== Background ==
The Italian composer Luigi Boccherini was attached to the Court of the Spanish Infante, Luis Antonio (1727–85), brother of King Charles III of Spain (1759–88). For having married a common citizen, King Charles exiled the Infante from the Madrid Court to the Arenas de San Pedro palace in Ávila province. As a courtier of Luis Antonio, Boccherini joined the exile, and found himself with much time for composition, and there completed more than one hundred pieces.
''Musica notturna delle strade di Madrid'' describes the bustling streets of night-time Madrid; about the composition, critic Jaume Tortella writes:
:“Taking its inspiration from nocturnal street scenes of Madrid, it seems to look back nostalgically to the gaiety and bustle of Spain’s capital, recalling the sound of the city’s church bells ringing for evening prayer, the popular dances that were the delight of its young people, and the blind beggars singing their typical ''viellas de rueda'' until the soldiers from the local garrison sound the midnight curfew with their Retreat.”
The composition was famous in Spain during Boccherini’s life; the best-known versions are arrangements of the ''Ritirata'' (Retreat) movement incorporated to the (G418) piano quintet, and the (G453) guitar quintet. ''The Night Music of the Streets of Madrid'' was published years after Boccherini’s death, because, he told his publisher: “The piece is absolutely useless, even ridiculous, outside Spain, because the audience cannot hope to understand its significance, nor the performers to play it as it should be played.”
Since the mid-twentieth-century revival of interest in the music of Luigi Boccherini, the ''Ritirata'' became well-known; Luciano Berio used it as the basis for a composition superimposing the four known settings of the ''Ritirata'', all playing concurrently, ebbing and flowing synchronously and asynchronously. Despite its slightly jokey nature, like Berio’s folk-song settings, his ''Ritirata'' interpretation is attractive and approachable, acknowledging and expanding upon Boccherini’s composition.
In 1975, the Boccherini Quintet, on the ''Ensayo'' record label, recorded an exceptional interpretation of ''Musica notturna delle strade di Madrid'', that in 1976 won the Grand Prix du Disque, by the Académie Charles Cros.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Musica notturna delle strade di Madrid」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.